3,964 Royalty-Free Audio Tracks for "White House In May 2000"

The Japanese anthem Kimi ga yo being performed in 1930. The source of the record is my personal collection. The record plate is number K1-A from Polyfar Recording. Català: Kimi Ga Yo (君が代), l'himne nacional japonès, tocat el 1930 per la Banda Militar de l'Acadèmia Militar Toyama. Čeština: Kimi ga jo (君が代), státní hymna Japonska, na nahrávce z roku 1930. (君が代), die Japanische Nationalhymne gespielt 1930 von der Militärkapelle der Toyama Armeeschule. Kimigayo (君が代), the Japanese National Anthem, as performed in 1930 by the Toyama Army School Military Band. Kimi ga yo (君が代, El reino de nuestro emperador), el himno nacional de Japón, ejecutado por la banda de la academia militar "Toyama" (1930) Suomi: Kimi ga yo (jap. 君が代), Japanin kansallislaulu, esitys vuodelta 1930. Kimi ga yo (君が代), l’hymne national du Japon, interprété par l’orchestre de l’école militaire Toyama. Italiano: Kimi ga yo (君が代, Il regno del nostro imperatore), l'inno nazionale del Giappone, nell'esecuzione della banda dell'accademia militare "Toyama" (1930) 日本語: 日本の国歌『君が代』。1930年、陸軍戸山学校軍楽隊の演奏。 Македонски: Химната на Јапонија насловена како „Кимигајо“ (君が代) во изведба на оркестарот на воена академија во Тојама (1930 г.) Кими га ё (君が代), японский национальный гимн, исполненный в 1930 году Toyama Army School Military Band. Tiếng Việt: Kimi Ga Yo (君が代), Quốc ca Nhật Bản, do Đội nhạc Quân đội của trường Quân bị Toyama trình diễn năm 1930.

Sung by Carmen Miranda. Odeon disc 11540.

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.

Sung by Carmen Miranda. Odeon disc 11442.

Pipe Organ and choir from First Presbyterian Church of Hartford City, Indiana. Original tape recording late 1960s.

Lydian augmented scale on C.

Dorian mode on D. Created by Hyacinth (talk) 09:54, 19 April 2011 (UTC) using Sibelius 5. See: :Image:D Dorian mode.png

Diatonic scale on C, bass clef.

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Diatonic scale on C, transposing clef.

In scale on D.

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

French: Le Roi Dagoberttitle QS:P1476,fr:"Le Roi Dagobert" label QS:Lfr,"Le Roi Dagobert" LilyPond source

Istrian mode on C

Diatonic scale on C, guitar tablature clef.

Lydian dominant scale on C.

Diatonic scale on C, equal tempered. Created in Sibelius with no midi pitch bend for 12-tet.

A modified stereo recording of the Indonesian dialect of the Malay language, performed by the KOM.

Wolfgang Amadeus Mozart: Die Zauberflöte; performed 1953, released 1955. Cast: Wilhelm Borchert (rol: tenor; Erster Priester), Kim Borg (rol: bass; Sprecher / Zweiter Garnischter), Diana Eustrati (rol: contralto; Dritter Knabe), Dietrich Fischer-Dieskau (rol: baritono; Papageno), Ferenc Fricsay (rol: conductor), Josef Greindl (rol: Bass; Sarastro), Margot Guillaume (rol: soprano; Erster Knabe), Ernst Haefliger (rol: tenor: Tamino), Margarete Klose (rol: contralto; Dritte Dame), Liselotte (rol: soprano; Zweite Dame), Lisa Otto (rol: soprano; Papagena), Maria Reith (rol: soprano; Zweiter Knabe), RIAS-Kammerchor Berlin (rol: coro), RIAS Symphonie-Orchester Berlin (rol: orchestra), Marianne Schech (rol: soprano; Erste Dame), Maria Stader (rol: soprano; Pamina, Tochter der Königin der Nacht), Rita Streich (rol: soprano; Königin der Nacht), Howard Vandenburg (rol: tenor; Erster Garnischter / Erster Priester), Martin Vantin (rol: tenor; Monostatos, ein Mohr)

Klaus song (Klausenmelodie). Klausjagen, Küssnacht, Switzerland.

Francesco Tamagno, the creator of the role, sings "Niun mi tema" (Morte d'Otello) from Giuseppe Verdi's Otello. Sung in 1903, Tamagno would die just two years later.

Piano rendition of bars 13–16 from Francisco Tárrega's composition for solo guitar "Gran vals" (1902) as used in Nokia's Nokia tune

Song from The Remains of Tom Lehrer

Pasquale Amato's April 16, 1914 Victor Records recording of the Te Deum from Giacomo Puccini's Tosca. Sung at the end of Act I, this scene in fact details the evil priest Scarpia's plans to corrupt and have his way with Tosca, while the chorus goes about seeking redemption. Victor 88489 Pasquale Amato (1878-1942), baritone; Metropolitan Opera Chorus Tosca - Te Deum Mat. C-14715-2 Rec. April 16, 1914 Digital Transfer produced by Tim Ecker for the Internet Archive.

I'm Forever Blowing Bubbles, performed by Ben Selvin and His Novelty Orchestra (recorded 31 July 1919)

A modified stereo recording of the Internationale in the Italian language, lyrics composed by E Pote & sung by soloist Coro Le Camice Rosse.

Italiano: Trascrizione di Mario Foresi della canzone popolare Rondinella pellegrina, 1887

Marie Rappold (1873–1957) performing "O patria mia" from Verdi's Aida, with orchestra

Australian Christmas Carol 1915 by Arthur Chanter (1866-1950) and Tom Collins (1843-1912)

A song from The Remains of Tom Lehrer

An orchestral arrangement of the "Toreador Song" from Georges Bizet's 1875 opera Carmen, played by the Damrosch Orchestra in 1903. The refrain of the "Toreador Song" begins at about 1:07, and is preceded by other music from Carmen.

Stereo recording of the Internationale in the Russian language.

The Bee's Knees performed by the Virginians, Victor 19000A

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Jonathan Floril at the 2009 Minnesota International Piano-e-Competition

Português: Samba choro. Interpretes : Carmen Miranda e Barbosa Jr. Disco Odeon 12042 B

한국어: 요한 제바스티안 바흐의 브란덴부르크 협주곡 2번 2악장 Brandenburg Concerto.No. 2 in F Major, 2nd movement

Cello Concerto No. 1 in A minor, op. 33 - 3rd movement (tempo primo)

Harry Connick, Jr. and band playing "When the Saints Go Marching In". Harry Connick, Jr. plays a Steinway grand piano. (The singer is a child from the audience that Harry Connick, Jr. has invited up on the stage to sing). Harry Connick Junior et son orchestre, interprétant When the Saints Go Marching In le 21 février 2010 lors d'un concert à la Maison-Blanche à Washington, District de Columbia, aux États-Unis. L'enfant qui l'accompagne a été choisi dans l'assistance et invité à venir chanter sur scène.

Enrico Caruso and Antonio Scotti sing "O Mimì, tu più non torni" from Act IV of Giacomo Puccini's La bohème in a 1907 recording. This is Matrix C-4315, and was released under various labels under the variant name "Ah Mimi, tu piu". (details)

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

Henry Fillmore’s The Circus Bee, performed by the United States Marine Corps Band, Timothy W. Foley, Director

Fantasie in B minor, Op. 28 (1900) by Alexander Scriabin, played by Kimberly Hou at the 2011 Minnesota International Piano-e-Competition

*32 steps in 72 equal temperament on C. Equal-tempered: 232/72=16/36=8/18=4/9:1 = 533.33 cents. MIDI pitch bend: 85,74 Created in Sibelius with midi pitch bend on 75 for 534.375 cents rather than 533.344. New version a P4 on 85,74 for 533.3251953125 cents rather than 533.344.

*7 steps in 18-et on C = ??. Equal-tempered: 27/18:1 = 466.67 cents. MIDI pitch bend: 42,53

The traditional country song "John Henry", performed by Johnny Horton during an appearance at the KWKH Louisiana Hayride

Sung by Carmen Miranda. Vicot disc 33445.

Sonata in B-flat major, Deutsch catalogue 960 - iii. scherzo (allegro vivace con delicatezza).

The Japanese national anthem (written in 1880, adopted by and coded in law in 1999) performed by the Ceremonial Band of the United States Navy.

Tritone scale on C.

Istrian scale, key of Istrian folkmusic, two voiced playing and singing